If the natural inclination of man
is to follow the crowd, Sophocles must have understood this because of his use
of the chorus. It seemed to supply the democratic pull to persuade and convince
his audience (or in my case, his reader) to go with the flow. I sensed an
intense relief as I read over the following strophe and ceased reading. I was
in awe at the power of the chorus. Some of that was due to my directed focus on
the purpose of Sophocles’ chorus, but whether or not I was focused, I felt its
invisible hand controlling my mood.
The Chorus of all the Theban plays
is made up of the old men. Particularly, in his Oedipus at Colonus, the chorus
is a group of old men of that city. In all likelihood, they are the wise
experienced citizens and owners of land and, apart from the heavily ingrained
fate that accompanies all Greek thought, the deciding factor of the play. The
chorus, working to unite the audience in a democratic sense, not only gives
clarity and provides the bigger picture, but it heavily persuades the mood.
Just before the following strophe,
Theseus calms the blind king’s heart, confirming that Apollo sent and guided
Oedipus to this particular grove at Colonus, a sacred resting place of the
gods. He promises that his name, the name of Theseus, will be his shield of
protection from the enemies. The chorus takes the role of a united societal
thought and soothes the emotions of the audience, after having suffered with
Oedipus over the innocent, but terrible tragedy. It is interesting to note that
the “pull” of the gods is not as strong as it once was and it appears that the
chorus might be taking over that responsibility. With that said, it is the chorus that changes the mood and
furnishes a blanket of peace, tranquility and rest. It clarifies and expands
the horizon for his future, but ultimately, it assures that Oedipus has finally
found a people who will accept him.
The land of running
horses, fair
Colonus takes a guest;
He shall not seek
another home.
For this, in all the
earth and air,
Is most secure and
loveliest.
In the god’s untrodden
vale
Where leaves and
berries throng,
And wine-dark ivy
climbs the bough,
The sweet, sojourning
nightingale
Murmurs all night
long.
No sun nor wind may
enter there
Nor the winter’s rain;
But ever through the
shadow goes Dionysus reveler,
Immortal maenads in
his train.
We see that these lines are an
extension of Theseus’ promise. The
chorus expounds upon his oath of peace and protection. It announces, in unison,
“Colonus takes a guest.” Undoubtedly, the old men agree with their King,
Theseus, to receive Oedipus and protect him as their code of xenia requires. The
reader feels drawn in, they are more likely persuaded to agree with the chorus
and the King; it is a welcome relief.
The purpose for the chorus here is
to demonstrate the belief of the people of Athens, united and amenable to make
Oedipus take comfort here, his last home. The strophe assures the audience that
the grove is the “most secure and loveliest” than any other place of rest. Furthermore,
the words, “In God’s untrodden vale” are a safeguard that trespassers never will
bother to come. The last part of the strophe guarantees that the harshness of life
has no place in this part of the world. The hot sun has no more power to beat
upon, bake or burn. The wind can no longer carry him away as he was wont to
wander and the winter’s rain may not pelt, freeze, erode, grind him down, nor
deluge him with sorrows. In this manner, the chorus calms the anxiety the
audience may feel as a result of the tragedy of Oedipus’ life.
The zeitgeist of the Ancients is
not far from the spirit of our times. People naturally tend toward group
thought. It is much easier to follow the crowd than to stand up against it. Not
that this particular chorus strophe expresses it, but that the chorus ode
persuades the mood and unites us in thought, relieves us from this long
suffering and influences us to agree with the people, which is not so hard to
do since we want relief for poor Oedipus. The chorus is the voice of greater
society, most likely the beginnings of what would soon to appear on the
horizon: the Greek democracy.
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